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 Oggetto del messaggio: Adelaide concert
MessaggioInviato: dom mar 04, 2012 11:06 am 
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Iscritto il: dom nov 23, 2008 10:44 am
Messaggi: 48
Hi everyone
Back from the concert in Adelaide having met up with 'qcard' prior to the concert. He'll be back tomorrow and no doubt will post his impressions of the event.
The programme was thankfully his cinema works but I guess we had some idea of what to expect given the programme in Perth.
The programme was as follows:

Life and Legend
The Untouchables /
OUATIA: Deborah's theme / Poverty / OUATIA
The Legend of 1900

Scattered Sheets
H2S
The Sicilian Clan
Love circle
Uno Che Grida Amore
Come Maddalena

The Modernity of Myth
TGTBTU
OUATITW
A fistful of dynamite
The Ectasy of the Gold
Interval

Social Cinema
The Battle of Algiers
Investigation of a Citizen Above Suspicion
Sostiene Pereira
La Classe Operaia Va in Paradiso
Casualities of War
Abolisson

Cinema Paradiso / Malena

Mission
Gabriel's Oboe
Falls
On Earth as it is in Heaven.

I guess you all know by now that this concert was not without some considerable acoustic problems. If it wasn't for that the fact that 5000 people who attended were his fans we might have all walked out from embarrassment and shame.
The cleverest review I have read so far was by Brad Crouch in the Adelaide Sunday Mail. He wrote: "The music was good, the scheduling was bad, and the noise was just plain ugly." The concert commenced at 1930 and almost immediately the constant drone of V8 engines from a race some blocks away inserted itself into the first set. At one stage there was simultaneously the V8 engines, a Boeing 737 establishing its flight path just overhead, an ambulance racing off to who knows what, and a couple of magpies joining in with their distinctive song. Later a police chase, and a couple more Boeings added to the cacophony. And if that wasn't enough, during the encore, the establishment next door decided at 1000 p.m. on a friday evening to empty a couple of dump-trucks worth of glass bottles. It couldn't have been more Monty Pythoneque if they'd planned it.
A friend this morning who was an 'embarrassed local' complained, 'there was a lack of attention to detail' and it made South Australia look like Hicksville. By all account the Premier of the state who attended was alleged to have intervened to stop the cars. I doubt the validity of this claim and in any event, he was too too late.

Putting all that aside however, Morricone was brilliant. Despite the frustration and wanting to ask the event organizers " What-were-you-thinking" I enjoyed myself. Susanna Rigacci was in fine form. She owned the stage when she arrived and I found myself hoping that she wouldn't leave. Morricone had three encores: Deborah's theme, The Ecstasy of Gold and The Mission. ( The Fall if I remember correctly)
Just so sublime.
The following day we all met again at the Picadilly Cinema for a question and answer session between Morricone and David Stratton. It was wonderful to share this small space with the maestro. He spoke in italian and had a translator present. He carried a sheet of paper with the questions written on them so they were not unexpected. At every turn both at the concert and the Q&A session, there were camera's trained on Morricone so I'm sure the event will result in a DVD.

I doubt if Morricone will ever be back. It was a great privilege seeing him on our own turf.


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: dom mar 04, 2012 1:09 pm 
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Iscritto il: dom nov 08, 2009 12:51 am
Messaggi: 74
Thanks for the detailed review and the programme. Man, that surrounding was one battlefield, indeed very pythonesque. And to think some folks in Perth were moaning and selling their tickets when the venue was changed from outdoors to indoors... (comments section in this article: http://www.perthfestival.com.au/en/What ... -Morricone )

A DVD of the Adelaide concert? I'm always for more Morricone live releases, but with all these technical difficulties... I dunno. The filming could be just for a TV special.

Thanks again, glad you've still managed to enjoy the concert; looking forward to qcard's thoughts as well.


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: dom mar 04, 2012 2:15 pm 
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Iscritto il: mar nov 11, 2008 12:37 pm
Messaggi: 516
Thanks!

About:

The Modernity of Myth
Interval

OLD TRACKS? SHORT PIECES or already have been played?

_________________
"I will let no man drag me down so low... "...as to make me hate him."


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: dom mar 04, 2012 8:16 pm 
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Iscritto il: dom nov 08, 2009 12:51 am
Messaggi: 74
Privet eda, these are not tracks;

Interval = intermission, pause

The Modernity of Myth = title of Leone's films segment

It was the same in Belgrade '09:

MODERNITY OF MYTH IN SERGIO LEONE'S CINEMA

THE GOOD, THE BAD AND THE UGLY - Titles
ONCE UPON A TIME IN THE WEST
A FISTFUL OF DYNAMITE
THE GOOD, THE BAD AND THE UGLY - The Ecstasy of Gold

INTERMISSION


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: mar mar 06, 2012 1:10 am 
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Iscritto il: mar dic 02, 2008 9:35 pm
Messaggi: 43
Forgive my delay in posting my comments on the recent Ennio Morricone concert in Adelaide but I wanted to get my thoughts clear and coherent first. As you have already heard, there were some not inconsiderable outside influences that had an impact on this concert and my take on all this is somewhat different from what has already been said.

As Gazbo has already given a breakdown of the concerts contents, I won’t repeat that again here.

Living in such a wonderful country like Australia does come with one huge disadvantage and that is the tyranny of distance. In order to travel to see a concert such as Ennio Morricone Live involves a lot of travel time and a small fortune to pay for same. It was because of this that I felt that I would never get to see my beloved Maestro perform live. So when I heard that he was coming to Australia, I wasted no time in booking a ticket. At first I was disappointed that I was unable to obtain my preferred seating (dead centre and as close to the stage as possible). My ticket ended up being 12 rows back and off to the left hand side of the stage. When I arrived at the concert, I found that I was sitting directly in front of a speaker stack. The importance of this I will return to later on.

I would have preferred that the concert was held indoors because nothing beats hearing a symphony orchestra and a 100 strong mixed choir live. Being outdoors meant that the only way to hear the concert was through amplification and speakers. Initially, I was not happy to be sitting in front of the speaker stack as I thought that I would not get a good sound mix but I quickly realised that the mix could only be in mono for a crowd so large.

Staging an outdoor concert is fraught with many difficulties and leaves one at the mercy of uncontrollable influences like the weather and extraneous noise. Thankfully, the weather could not have been more perfect! Morricone likes to incorporate the odd sound effect into his compositions but I am sure that none of the sounds that we were subjected to on the night were appropriate to the marvellous music coming from the stage. And here is where my sitting directly in front of the speaker stack come into its own – the speakers drowned out most of the sounds for me and those that it didn’t were minimised so that they had very little annoyance value for me. I am sure that many other members of the audience would have heard these various sounds louder and longer than I did and therefor would have found them far more distracting than I did.

But nothing, nothing was going to destroy my enjoyment of this concert and of course, it didn’t!

I was euphoric to be sitting in the company of such genius and hearing such glorious music.

The Adelaide Symphony orchestra were just perfect in their playing of the Maestro’s music as too were the Adelaide Festival Chorus of their singing in the various choral pieces.

I was surprised at how animated Morricone was in his conducting. In the two concert DVD’s that I have, he is very restrained and one reviewer in the U.S. made a comment of this very fact. But sitting off to the side, I could see very well his conducting and he could not have been more animated if he tried. I was also surprised by how much he looked down at the score he was conducting at the time – much more than I have seen most other conductors do (and I have seen hundreds in my years). I would have thought that he knew this music back to front (which I am sure he does) as he not only wrote it but conducts it quite often. But as Morricone himself has said, he would rather people closed their eyes and listened to the music and not watch him. But how can one not watch such a genius and not feel love and adulation for that said same genius. I certainly couldn’t!

The concert ended with four standing ovations. One at the conclusion of the concert itself and one at the end of each of the three encores. I should note that it is rare to see an orchestra and choir applaud a composer or a conductor but the Adelaide Symphony & Choir were obviously pleased with Morricone as they also joined in with the very appreciative audience in showing their satisfaction with the concert!

Minor distractions aside (for me at least) the night was definitely one that I shall remember and cherish for the rest of my life.

:D :D :D :D :D :D :D :D :D :D :D :D


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: mar mar 06, 2012 2:58 am 
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Iscritto il: dom nov 08, 2009 12:51 am
Messaggi: 74
Immagine


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 Oggetto del messaggio: Re: Adelaide concert
MessaggioInviato: mar mar 06, 2012 7:48 am 
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Iscritto il: ven feb 20, 2009 3:22 pm
Messaggi: 67
thanks very much for your report and sharing us your impressions! i´m really happy for you!!!
greets, dom.


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